The phones were down and so was the internet. Surprisingly, the electricity wasn’t going out every other hour or more, so I set one of the stories to render so that I can share a version with the dp.
Read MoreDon't linger too long
I spent the day cutting down the story of Sohni by about 12 minutes. It takes a lot of painstaking listening, watching, trying out different images over the music, to figure out what should stay and what can go.
Read MoreTumbling puppets
I have a scene where a character falls down. You would not be able to control the poses of the fall well enough to not make it look like a rag doll if it were performed live as far as I can figure.
Read MoreLack of electricity
The electricity is a huge problem. I try to cook or run errands in between, but when the battery on my laptop gets low and the electricity goes so often it is really tough to get into a flow of working. I try my best to use battery powered lights to take photos for the next batch of shots, even if the lighting is completely inaccurate. That way I can get the staging, as in the position of all elements in the shot down. I will add images that represent the kind of lighting for each shot, as I can’t gain enough control over the lights I have to direct them enough for that. Besides, the electricity goes every other hour, so it is just fortunate when the battery powered lights are running so I can take photos and see the puppets.I tried to get some work done. I did add some more photos and edit the ones I had taken the day before in the story I am working on. I ended up cooking some karela (bitter gourd), which turned out well.I have to do something productive when the electricity goes every hour otherwise you completely lose that momentum to work. In the evening, the electricity went out before 6pm and I was in darkness until well past midnight. What kind of crap is that? Apparently, since there are regional elections going on, political parties do this nonsense to keep people from congregating too much. Seriously? If that is the case, the entire neighborhood should be at the ruling party’s doorstep instead of the kind of idiotic concerns the general public often expresses. Such as religious policing of each other and worrying about nonsense that does not in any way reflect the duties of elected officials.Well, since the electricity was gone for so long, I drank some tea with Umar when he got back and I will work the night shift along with him tonight. He is working on the throne room background for Raja Rai Diyach in Sur Sorath. It is the largest backdrop in the film, and features some challenging elements, but it is coming together beautifully. I finalized another design the other day, as well as some more designs for huts today. We are getting there with all the tasks needed for production. I used the time without electricity to make a bunch of phone calls. I checked in on my friend Ustad Amb Jogi (music director and composer on “Risalo”). After his multiple heart attack, he had his angioplasty yesterday and is recovering at his home.I checked in with puppeteers to organize my trip to audition the four to work with me on this project. Khursheid or Sadar sahib as he is called helped take me to different puppeteer families in the three locations they live in Multan months ago. This time, we will put a call out to puppeteers in all three cities that they live in, Multan, Bahawalpur and Khaniwal. I know what I need from them, now let’s see who can handle something new and bring the subtle performances I need. I will certainly help, but I need people with skill and the ability to listen and try something new, while, I hope, bringing something of their own to it. These communities have had it rough. I learned that many of the puppeteers were in Lahore, selling livestock in a market.These are performers, but at the moment, they have not changed with the times and no one has really helped them to do so either. I hope to go settle which puppeteers I’ll hire for “Risalo” next week.
Beginning Sohni
The boost from getting a good edit on the Sorath storyboards helped me get started on the next story; Sohni.
Read MoreComing to life
After days of working on this latest draft of storyboards, ruthlessly removing portions that felt the slightest bit unneeded, I began to see things connecting.
Read MoreChallenges?
After a nice breakfast of channai, naan, left over aloo gosh and tea, courtesy of friends, I set things up and got ready for the day’s work.
Read MoreCutting it all, nothing is precious
I find myself cutting out some beautiful sections of music from the film as they would prolong scenes without adding value to them.
Read MoreEvernew Studios
A visit to Evernew Studios, home of Tryangle Productions
Read MoreAnother draft of storyboarding for "Risalo"
Some days are more difficult than others. Dealing with electricity issues, missing family and friends, and the huge weight of tasks on my shoulders with no certainty in regards to the outcome or timeline is tough.
Read MoreEngage the viewer
I continued putting together basic mockups for shots using the actual puppets and backgrounds to create storyboards. I’m working on a scene that had not really been fleshed out before.
Read MoreStoryboard and re-storyboard
People wonder why a film needs to be storyboarded over and over again. If only they knew how many more times the story had been written out in notes and thumbnail sketches before even reaching that point.
Read MoreAiwan-i-Iqbal
We had some chai and snacks before heading to a weekly literary reading at Aiwan-e-Iqbal, located behind the Alhamra Arts Council.
Read MoreLahore Photo walk
So, I went to a photowalk put together by the Walled City Authority. It was exhausting, but so much fun!
Read MoreWork you do and don't
The other half of the work will have to be done another day. I didn’t have the energy to suffer through more of that for today.
Read MoreProcess of design
Umar and I are trying to figure out a design for the outer section of Raja Rai Diyach’s fort.
Read MoreTo see the light of day
I went early to Checkpost and digitized the problem DV tapes, over and over until I got the bits I needed to piece the rest of the music together.
Read MoreExhaustion of goodwill
My friend Ustad Anb Jogi (composer and music director of “Risalo”) was supposed to come to Lahore, but I had not heard from him.
Read MoreDo I really need that bit?
I have to listen to each bit of music and see where I can trim a bit, but not destroy the flow and then match that in the Urdu version as best I can.
Read MoreEditing and back to Landa
We looked over a king’s court design I had made and then head to the Landa Bazaar to pick up cloth so that Umar can start sewing it.
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